

We take great care in framing works on paper. Our standard practice
is to hinge with Japanese paper and rice starch paste, and to use
only 100% rag matboard. We closely monitor both conservation research
and the appearance of new products, such as the growing number of
glass and acrylic glazing options.
Our choices for framing drawings, prints, and photographs continue
to evolve and expand. We mount our own matboard, making 8 ply through
20 ply window mats. And we make frames in various materials and
finishes, some of which are listed below.
- Maple, mahogany or other hardwoods: With a natural wax or oil
finish, or hand-painted in casein or acrylic, or spray painted
in a wide range of custom colors
- Aluminum or brass, with polished, matte and patinated surfaces
- Gold leaf in many shades, and silver leaf
Most of our designs fall within the modern canon, though we often
use period resources, such as classical and 17th c. Dutch mouldings
and ornaments. The study of such frames has contributed great diversity
to our design vocabulary.
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